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COMPOSERS


Arnt H. Aanesen
Juan M. Abras
Firudin Allahverdi
Aaron Alon
Samuel Andreyev
Yvette Audain
Svitlana Azarova
David Balasanyan
Stephen M. Barchan
Tiziano Bedetti
Sebastien Beranger
Christophe Bertrand
Linda Buckley
Oscar Carmona
Aaron Cassidy
Luiz E. Casteloes
Paul Clift
Silvia Colasanti
Quinn Collins
Claire Cowan
Jonathan Crehan
Brian Current
Adrian Democ
Ivan Elezovic
Miguel Farias
Stephen Feigenbaum
Aaron Gervais
Alicia Grant
Raffaele Grimaldi
Gilad Hochman
Sungji Hong
Daria Jablonska
Markku Klami
Jana Kmitova
Elia Koussa
Ulrich Kreppein
Ulo Krigul
Felipe Lara
Mart-Matis Lill
Rodrigo Lima
Goncalo Lourenco
Robinson McClellan
Ilona Mesko
Kate Moore
Russell Nadel
Sarah Nemtsov
Alek Nowak
Yoshiaki Onishi
Christian Onyeji
Tomasz J. Opalka
Tomas Palka
Klaudia Pasternak
Stefan Prins
Benjamin Sabey
Jeremy Sagala

Daniel Salecich
M. Salkind-Pearl
Evis Sammoutis
Jakh. Shukurov
James Sproul
Andrew Staniland
Luke Styles
Mirjam Tally
Roberto Toscano
Christ. Trapani
Jeff Trevino
M. Twaalfhoven
Nicholas Vines
James Wade
Peter Zombola
William Zuckerman

 
JONATHAN CREHAN (NZ)

I enjoy writing music which has a clear direction, and a great sense of dynamism. Sometimes theatrical, I like to get the most out my notes, and imbue a sense of excitement in all my pieces. I am adept at composing both tonal and atonal music, and I take both forms seriously. I find that one influences the other, and that they are linked together through concepts of shape, texture and structural form. Essentially, I believe that the way forward with my music, is through combining the best that history has to offer, with the imagination and innovation of 21st century creativity.

Jonathan Crehan (Taranaki, New Zealand) began composing at 8 years old, and wrote his first orchestral piece, Olympus, at the age of 14. It was reviewed in the local newspaper as "... a true orchestral piece, featuring themes that linger in the mind, effective orchestration, and the creation of real atmosphere." He continued to write orchestral works around this period, and began to receive substantial local commissions.
At 16, he met Sir William Southgate, a brilliant conductor and composer, who declared, "Right off the bat you can tell that this guy is wonderfully gifted." A year later, he entered Victoria University of Wellington, and studied under John Psathas, Jack Body, and Michael Norris, gaining an A grade average for his degree.
Thanks to a generous scholarship, Jonathan was able to have full-time, private study with Sir William Southgate for 2008. As Sir William's only student, he was able to work one-to-one and finesse some of the skills that he had developed over the years. Jonathan was also awarded the Composer in Residence Position at Samuel Marsden Collegiate, for 2008 and 2009.
He was the 2008 Winner of the Orpheus Publications Composition Competition (Australia). Jonathan also won the 7th ADAM international Cello Festival Young Composers Competition in 2008 with his piece Fantasia Festa. Adjudicator and Cellist, Alexander Ivashkin commented: "The composer's language is contemporary, matching the best examples of contemporary instrumental style.."

Jonathan aims to become a consummate conductor-composer, as well as a leading light for the new generation of people in his country.

contact: jonomuso@gmail.com
some works can be found at: http://sounz.org.nz/contributor/composer/1260